If you want to know how I plan and plot stories, you may find the document interesting. You’ll probably find it more interesting if you use Emacs yourself.
A Note on Emacs
I think of Emacs as a text editors’ tool. As I spend most of my life working with text, either programming or writing, I want to do it as efficiently as possible.
It first struck me when I was editing my novel Divergence just how inefficient I was being in pressing the arrow key and waiting for the cursor to get to where I wanted. That got me thinking about the time spent deleting text, transposing words, moving around paragraphs… I realised there must be a quicker way.
And then I remembered Emacs.
It makes sense for someone who spends most of their time manipulating text to learn a group of obscure key combinations. It saves time and increases productivity. Learning to use Emacs properly reminds me of playing Jazz on the piano. I’ve learnt all those chords and runs and fills so that I can use them without thinking when I’m improvising. Likewise, I’ve practised using Emacs key strokes such as M-f, M–M-c and C-M-<Space> so often I use them without thinking when editing. I rely on M-/ to complete words, and I can’t do without M-h and C-e to select and move around text.
I practice using Emacs because it makes me a more productive writer. If you’re interested, I’ve written up some of those tips and exercises on my Emacs Workout.